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  • Resting between takes on "One More Day" width:198;;height:300
  • Handheld work on "The Secret Life of Butterflies"<br />Photo Courtesy of Zoe Midford width:460;;height:300
  • Extreme Close-Up on actor Julian Lamoral-Roberts on "The Secret Life of Butterflies"<br />Photo Courtesy of Zoe Midford width:549;;height:300
  • Focus Puller Ryan Geddis (left), Director Q and myself on "Fever" width:225;;height:300
  • Publicity still from Ognjen Curcic's new short.<br />Camera is a Panasonic HDX900E with a Panavision Primo zoom lens. width:199;;height:300
  • From Orok Duke's film, "Malice and Pencils"<br />On location in "The Gaff", on Holloway Road width:450;;height:300
  • Checking the shot on the monitor. width:450;;height:300
  • Operating the ARRIFLEX 16SR3 for "Two Strokes is All You Need" width:424;;height:300
  • A bizarre warehouse storage facility was the location for a key scene from "The Six Sided Man" width:448;;height:300
  • As an extra on "Crumble Away" width:450;;height:300
  • The Sony HDW-750P in a simple configuration. width:480;;height:300
  • Adjusting a light on the set of Colour Blind. width:450;;height:300
  • Testing the Sony HDW-750P with director Ognjen Curcic. width:600;;height:249
  • Watching a take during the short. width:450;;height:300
  • Handheld with the ARRI SR3 at Snetterton circuit. width:548;;height:300
  • Myself with steadicam operator, Alex Campbell, on the S16 test "Two Strokes is All You Need" width:400;;height:300
  • An industrial sized optical flat was used here to protect the camera from the bike's exhaust fumes. width:400;;height:300
  • Photographing a motorcyclist. width:583;;height:300
  • On the RED ONE, checking the focus. width:450;;height:300
  • Ryan Geddis and I on "Fever" width:400;;height:300
  • City Stars, interior lighting width:224;;height:300
  • On the beach for "The Long Lasting Relationship" width:400;;height:300
  • Exterior work on "The Secret Life of Butterflies". Gaffer Simon Olney is boarding. width:553;;height:300
  • On location for "Tandem", written and directed by Adrian Hume Robinson width:199;;height:300
  • Teaching the RED ONE to BA students at the Met Film School. width:533;;height:300
  • Demonstrating how to use a filter. width:533;;height:300
  • Showing the RED ONE menus to the class. width:533;;height:300
  • Teaching focus pulling and exposure. width:533;;height:300
  • Borrowing a 35mm Arricam LT from the "London Boulevard" test team (DoP: Chris Menges) width:533;;height:300
  • Preparing the camera on the set of "Home". In the background is DoP Jonathan Harvey (centre) and 2nd AC Ryan Geddis (right). width:229;;height:300
  • Checking the shot on "Home" with the DoP, director, art department and continuity. width:400;;height:300
  • Filming a scene in "The Six Sided Man".<br />To my right is focus puller Ryan Geddis width:448;;height:300
  • Overseeing the shot with the director on SCHOOL DAYS width:450;;height:300
  • Checking out the camera in Copenhagen. width:450;;height:300
  • Filming "on the beach":<br />Metering actress Amber Coombs width:400;;height:300
  • From "The Six Sided Man". On the left is director Sebastian Pacher.<br />I'm in the bin. Literally. width:200;;height:300
  • width:448;;height:300
  • Myself and Director Ognjen Curcic width:449;;height:300
  • December 21 and 22... 100% exterior days. We cleared the snow in the morning of the 22nd. Handholding an EX3 with camera assistant Ryan Geddis behind and Director Thabo on monitor. width:500;;height:282
  • Watching the action on "Attack of the Invisible People"<br />In frame: Star Matt Jamie (L), Gaffer Tom Nowell molesting my tripod (C) and me edging frame right. width:448;;height:300
  • "Attack of the Invisible People" again, exterior shoot in the freezing cold. I brought my trusty warm (and enormous) Yamaha jacket.<br />Photography credit to Matt Jamie - www.mattjamie.co.uk width:448;;height:300
  • Bagging the camera for exterior work, and looking very suspicious!<br />Photography credit to Matt Jamie - www.mattjamie.co.uk width:448;;height:300
  • Promotional still from "Revs" width:450;;height:300
  • Another promotional still from "Revs" - notice the snow which has fallen between days! width:450;;height:300
  • One of our antagonists from "Revs" width:450;;height:300
  • On the set of "How to Live in a Cave"<br />Gaffer Tom Nowell making a camera as a stand-in<br />Photos © DANIEL D. MOSES<br />www.danielmoses.com width:451;;height:300
  • Checking the shot list with director Will Nixon on "How to live in a Cave"<br />Photos / © DANIEL D. MOSES<br />www.danielmoses.com width:451;;height:300
  • Cleaning the lens on "One More Day" width:420;;height:300
  • Resetting between takes on "One More Day" width:198;;height:300
  • My well-travelled Steve McQueen replica jacket. width:450;;height:300
  • Resting on the set of "The Date" width:199;;height:300
  • Lighting - Robert Richardson Style. From "City Stars". width:401;;height:300
  • Exterior handheld work on "City Stars" width:401;;height:300
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